Auckland Poetry is a lovely old site with lots of contributions from Auckland and New Zealand poets – and a few international poets. Unfortunately the editor was unable to keep things rolling so have maintained it as an archive.
We are now rolling out a 2013 reboot of this site. The aim is to make the site more interesting for readers and to celebrate the very best Auckland Poets on this site.
Poetry Live 28 June 8pm – 11pm at Thirsty Dog
with guest musician Karen Hunter / Hunter Karen
and guest poet Jack Ross
Hunter (alias Karen Hunter) is a superb musician with an extensive history of playing all around New Zealand. Equally comfortable in poetry and song, Hunter is a favourite at Poetry Live – and with good reason. More information can be found at www.karenhunter.com. For example: Hunter’s work can be described as gritty jazz/folk. Songs are infused with dirty blues grooves using spoken word poetry and jazz scatting, creating dynamic memorable performances. Hunter’s primary instruments are vocals and acoustic guitar, incorporating rhythmic backing tracks using percussive loops made with ‘found objects’, guitar and voice.
Secret guest poet no longer secret!!! JACK ROSS will be reading from his LATEST BOOK – Scenes from The Puppet Oresteia. More info at: http://mairangibay.blogspot.com/2011/06/reading-tomorrow.html
I sing th green branch
th lost hymn
to earth’s green blood
& sap
& slime
to hold back time…
let me here give praise & tongue
to your bright flesh & hair & bone
to mouth & nostril / salt & lime
to breast & belly & that cool line
from throat to thigh: to all yr mouths
& voices / winedeep / lovestung
to silken down beneath th sun / about
th nipple
& all along th length of supple spine…
so hold / time ! & let us stand
since we are naked &
th blood is up
stay your bitter hand !
Violin in tune
I try to be immune
To the call made today
That I’ve played out fo key.
To quote
My aunt spoke
“It’s like this, not like that!”
As I quivered on the quaver,
“Listen,” she said,
in a menacing tone
“I’ll show you how you’ve been playing
and how you should be playing”
“The music as it was written!”
…But those great composers were smitten
with a love of changing the key
and I had to play it, yes me,
from beginning to end,
and endeavour to mend
My wayward violin
With aunt, mother and me.
The tenacious old lady with her blood red nails
A real crowd pleaser
She comes out in time for the party scene,
Makes a grand entrance in all her glory.
Every Christmas she comes out
marching up shorelines and down into valleys
making an easy chair for the passerby or the swimmer
Putting on her lippy while psing for the camera
doing the twist for a eager audience
The local birds enjoy her hair pieces
and are often found in amongst her best
She remained on the coast where all the fun was
preferring the brighter colours to her more sombre relatives
Then after the party session settles
She gladly retires for rest and relaxation
Pearls of fantasies shine in the waters of hope
That February turned tears to.
We will certainly free weakened hands from the ropes
If wonder is all that we do.
Let us build a small ship as a shelter-to-be
And paint it in colors of spring.
It is madness so sweet to spend life on the sea;
I will turn to a siren and sing.
In the song of my heart that will beat twice as fast,
Your own inner voice will reveal.
Reminiscence I’ll crave is for ages to last,
I’ll gift you a moment to steal.
I’ll paint your sweet portrait with tightly shut eyes
With pleasure whenever you ask.
Though hands ever shaking and colder than ice
Do find it a difficult task.
I’ll cherish the portrait and hang it above
My empty not warm enough bed
To guard all the secrets of mystery love
And clear the mess in my head.
The mirror that’s placed on the opposite wall
Will certainly add to its charm,
My room and your portrait will turn to one whole -
This place will incur no more harm.
the tsunami
the water has no choice
it is the land beneath it that rises
and displacement is the consequence
it is definite
as you turn your eyes change
the dynamics of motion
clouds wait in the vacuum
not so much a single irresistible force
but millions of forces all determined and
brutal slamming bodies into buildings
cars jostle, terrible drunk teenagers
deserting a train wreak
imagine the terrible catastrophe
a grandmother with her caged bird
final company
relentless finality
churns up history
folding and melting it
the man standing still as the water rises each second
the large vehicle drives past him on the bridge
no chance for decisions to emerge
the floating church
and that boat smashing into floating rooms
of a family home